Spectrum 21! Posted on 12 Apr 2014
An infographic utterly failing to convey my level of excitement.
New Work: Time Enough Posted on 03 Mar 2014
This piece is my fourth and final for the Month of Love blog.
This week, the challenge was to create an illustration inspired by one of the songs on the Magnetic Fields' "69 Love Songs" album. I chose to (tangentially) illustrate "Time Enough for Rocking When We're Old." The story the title put in my mind was that of an old woman in a travelling rocking chair, taking an urn of ashes (someone else's? her own?) on one final journey. I don't know where the road leads - she has all of the things she'll need along the way, but it seems unlikely that she will return. Inspired in no small part by the strange worlds of Jacek Yerka.
With my last challenge image finished, I finally have the leisure to go back and check out all of the other Month of Love pieces that I'd only gotten a chance to glimpse in passing before. I have too many favorites to post here - it seems like every week was packed with illustrations that were clever, beautiful, or both - but I still wanted to highlight a few of the images that caught my eye (because it can't always be all about Wylie...can it?) Check them out below the jump.
Month of Love - Fetish Posted on 23 Feb 2014
Here's the latest piece for Month of Love. This week's theme was Fetish; I floundered a bit in trying to come up with a concept that wasn't entirely clichéd, incomprehensible, or pornographic; eventually, with the deadline lumbering past me, I chose to illustrate Stygiophilia ("arousal to the thought of hellfire and damnation.")
Not much to say about this one... I think it's peculiar enough to speak for itself.
New Work: Tam Lin Posted on 18 Feb 2014
Here's another piece created for the Month of Love blog - the theme for week two was "favorite love story." I don't usually go in for love stories - they tend to have a sameness to them (generally ending in bland wedded bliss - or tragic, if predictable, death - for all parties) that bores me. The legend of Tam Lin (a Scottish ballad, I like this version by Anais Mitchell and Jefferson Hamer) is one of the exceptions that I really like since, unlike your run-of-the-mill love story, it features an uncommonly cocky heroine and a lover transformed into a lion and wolf and bear (oh my).
Sadly, as is the case with so much of my personal work, there is no pretty set of thumbnails to share (although I can't pretend I wasn't tempted to fake a few after the fact). If you're curious what my thumbnail sketches actually look like at the early stages - the "I have no idea what I'm doing and my art license should be revoked" stage - this is it.
They are terrible to behold.
The original pencil drawing. Compare it to the final, and you'll notice that I upcycled background elements from
my Whispers and Full Blooded pencil art out of sheer cussed laziness. Personal work FTW!
OMG, there are things out there that look like this on the inside.Full view in the gallery; more favorite love stories over at the Month of Love blog.
New Work: Easley's Gryphon Posted on 09 Feb 2014
Here's a quick painting I did for the ArtOrder's Jeff Easley challenge (which you can read about here.)
This piece almost didn't happen - I bookmarked the Jeff Easley challenge when it first came out, and then promptly forgot about it until three days before the deadline, at which point all seemed to be lost - I'm not a particularly fast worker when it comes to personal projects, and I didn't even have a plan in mind. Nonetheless, I absentmindedly clicked over to Jeff's portfolio to take one last shot at getting inspired before admitting defeat. One of his paintings - a girl with a spiderweb tiara in her rockin 80's hair, riding a golden gryphon - caught my eye instantly:
Without much time to spare, I skipped my usual tedious thumbnail stage and just started sketching on a sheet of gessoed paper. I knew that I wanted to show the character sitting with the wings of the gryphon enfolding her, and the narrative (an artist cutting a gryphon-quill pen!) developed on the fly. Once I had something I liked, I sealed the sketch with Workable Fixatif and applied a second layer of gesso (which knocks back the contrast, but leaves a faintly visible drawing to guide the painting). I first came across this trick on Kim Kincaid's blog, and I absolutely love it - it helps the energy of the sketch carry over to the finished piece and, if you want to preserve the original sketch, it works equally well over a digital print.
Since oil paint dries quickly for no man, I stuck to a monochromatic underpainting, which I then photographed and colored digitally. I'm surprisingly happy with how this piece turned out given the limited time I allowed myself - and it was refreshing to work on a project that was begun and finished in the same two-day span. Using an oil underpainting as the base for digital color turned out to be SO MUCH FASTER than my usual pencil methods. The effort saved by painting directly on top of the sloppy initial sketch (rather than painstakingly tracing and re-rendering it into a tight pencil drawing) makes me want to seriously reconsider my working process.
In other oil painting news, I just finished the larger piece I posted a snapshot of in my 2013 wrap-up; I'll be posting that one as soon as I can get a decent photo of it.
For now, check out a full view of this one in the gallery.